AMRITA
By BANANA YOSHIMOTO
(Translated by Russell F. Wasden)

Washington Square Press, 1997
ISBN-13: 978-0671532857
367 pages; Paperback
GENRE(S): Fiction

Reviewed by Michael Ward

Penned in 1994, when Banana Yoshimoto was thirty years old, Amrita centers on a girl named Sakumi. Sakumi is quite similar to the typical Yoshimoto protagonist: mid-twenties, pretty but not beautiful, and from an affluent albeit broken family. She spends her days doing what a number of young women from similar backgrounds do: She shops at expensive boutiques, hangs out with her friends, and has long, leisurely dates with her boyfriend. However, there is one key element to Sakumi that differentiates her: One day, she split her head open when she fell on some steep steps, causing her mind to become a clean slate.

Working at a small bar called Berries and living with her odd family—her mother, her cousin, her mother's best friend, and her little brother—Sakumi spends her days similarly to the way that she did before, but with the added addition of suddenly recalling memories that had been deeply submerged in her subconsciousness. Many of these memories concern her dead sister Mayu, a once a famous actress. Beautiful and liked by everyone, Mayu died years before in an accident related to alcohol and drug use. Her memory hangs over Sakumi's family and the mind of Mayu's boyfriend Ryuichiro, a writer who has become a globetrotter after Mayu's death. With this deep shadow over her life, Sakumi tries to rediscover herself.

Amrita is definitely a convoluted work due to the introductions and disappearances of characters—seemingly at random—and a confusing timeline which offers few clues as to whether the setting is in the past or the present. However, the book is not a rambling mess. With a clean slate for a mind, Sakumi definitely has an interesting outlook towards life. She sees her family members in a completely new light and learns slowly what makes each person important to her and how each person is a piece of the puzzle which is her memory.

Like almost every other Yoshimoto novel, Amrita is tinged with melancholy, and it can make the readers reflect on their own personal relationships, how their concepts of a person is completely made up of thoughts and memories, and how truly tenuous these thoughts and memories are.

(April, 2007)

 

 
     

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