GORILLAZ: RISE OF THE OGRE
By CASS BROWNE and GORILLAZ
Illustrations by J.C. Hewlett

Riverhead Books
ISBN 9781594482717
300 pages; Paperback
GENRE(S): Nonfiction, Music, Biography

Reviewed by Marie Mundaca

Like a book version of the film This is Spinal Tap, Gorillaz: Rise of the Ogre traces the origins of cartoon pop band Gorillaz from bassist Murdoc's birth on June 6, 1966, through Murdoc's and singer 2D's fortuitous meeting on August 15, 1997 (where Murdoc pushed 2D's eye into his skull; Murdoc was also responsible for 2D losing his other eye), to their last recording session in late 2006. This lavishly illustrated book is a real treat for fans of the band.

ADVERTISEMENT

Gorillaz, of course, is the brainchild of Blur frontman Damon Albarn and Tank Girl co-creator J.C. (Jamie) Hewlett. They hit the ground running with their smash "Clint Eastwood" in 2001 and haven't really let up since. Unlike previous cartoon bands like The Archies and Josie and the Pussycats, Gorillaz is a band with cartoon members who exist in the real world, as opposed to a comic book or cartoon that features a band. This is an important distinction, especially in terms of this book. It mixes fiction about the cartoon characters' lives with facts about Gorillaz as a band. What this means is that real-life events, like pre-production on the never-made Gorillaz movie, are tinged with extreme exaggerations and prevarications, like when 2D spends a month with '70s sex symbol Britt Ekglund or when diminutive guitarist Noodle discovers that she was part of a secret military project.

As befits a cartoon band, their misadventures are more outrageous than anything a real-life band could hope to accomplish. Told in documentary style, each episode is introduced with brief text and followed by interviews with friends and family, along with Gorillaz themselves. Readers learn that Murdoc's brother broke the bassist's nose for playing Dio, that Murdoc was in a New Romantic band called Patchouli Clark, that turntablist/drummer Russel Hobbs was possessed by the ghost of his rapper friend Del, and that Noodle arrived from Japan in a FedEx crate. Readers also learn that 2D dated Rachel Stevens from S Club 7, but Murdoc ruined their relationship and a couple of her T-shirts.

The book has more of a narrative arc than most books of this kind, which is not difficult to do since these aren't real people, and it makes for a more interesting book. Woven into stories about making music and hobnobbing with stars are tales about individual band members' quests to exorcise their personal demons. For example, the band's disappointment at not being able to produce their movie leads to three of the characters' going on soul-searching, transformative journeys. The fourth member, Murdoc, ends up in a Mexican jail.

The factual passages are as star-studded as the made-up parts. A song-by-song commentary by the band reveals an impressive roster of musicians that have appeared on Gorillaz albums. Tina Weymouth of Talking Heads, Kid Koala, Shaun Ryder from Happy Mondays, Nenah Cherry, and De La Soul are just a few.

There is also information about their live performances, such as the band's first show in London in 2001, where they played behind sheets that had images projected on them. Subsequent performances have become highly technical, using a Victorian-era parlor trick called "Pepper's Ghost" but on a grander scale than ever before attempted. There isn't too much detail, but it seems as logistically nightmarish as one might imagine. Of course, even the factual passages play with the truth, with proclamations like, "One child apparently burst into flames just looking at the record cover."

Like many magazine-style books that focus on popular bands, every page of this volume is illustrated, mixing pre-existing and new drawings. Perhaps the most visually interesting sections are Hewlett's story-boards for the videos and the enigmatic "23 Skiddoo" chapter, which features thumbnails of the magazine covers Gorillaz has appeared on, a discography, and a graphic of their influences shown as a London tube map.

Rise of the Ogre is, like the old Monty Python books, a perfect mélange of humor, illustration, and design. The printing and paper are exceptional. That said, it's clearly only for die-hard fans of Gorillaz or of Jamie Hewlett.

(December, 2007)

 

 
     

© 2007 hipsterbookclub.com
All Rights Reserved