LETTERS FROM THE EDITORS:
Kurt Vonnegut, Jr.
(November 11, 1922–April 11, 2007)

By YENNIE CHEUNG

In October, 2006, the Hipster Book Club Livejournal community staged a "Battle of the Writers" poll. It was done in a completely whimsical and unscientific manner, pitting authors against each other in a tournament-style succession of votes. In the midst of the chaos, Kurt Vonnegut, Jr. emerged as the community's favorite American writer.

Vonnegut probably would have been appalled by this. He probably wouldn't have understood how he could best J.D. Salinger, Ray Bradbury, and Joseph Heller (not to mention John Steinbeck, Walt Whitman, or Mark Twain) for the title. For my part, I don't particularly understand it, either…but I also don't deny it. Look up any solicitation for general reading suggestions, and chances are, you'll find a recommendation for Cat's Cradle or Slaughterhouse-Five. Talk of genre fiction, and Vonnegut's poignant yet irreverent comedy will be cited as the work that turned people around to sci-fi. Take a look around our corner of cyberspace, and it becomes resoundingly clear: We in the HBC love Kurt Vonnegut.

In the wake of Vonnegut's death, it seemed only fitting to acknowledge the life and work of a collective favorite. But twenty days have passed since his death, and we've all had a chance to digest and lament. Chances are, many are downright sick of hearing about his death by now, and we understand that. Dozens of news outlets have written about his legacy, and we have no desire to regurgitate information about Vonnegut's early life or discuss how vitamin supplements saved his life in Dresden.

Instead, to bring this period of mourning to a close, we offer you a small, sometimes personal tribute to the literature Vonnegut has left for us. We've eschewed the aforementioned obvious titles, instead choosing to discuss topics that are a little closer to our hearts. The newest member to the HBC writing staff, Joe Davenport, also offers a personal essay which touches on what he calls "Vonnegut's place in my experience." As for reviews, reviewer Bri Lafond speaks from experience when she says The Sirens of Titan is "the kind of book that can make the reader cry tears of sadness and tears of laughter in the same sitting."

As for me, I chose to review "Harrison Bergeron," the seminal short story in which equality is achieved by making the United States physically handicapped and stupid. When I taught it to an English class last year, my students actually laughed so hard, they couldn't continue reading for several minutes. Imagine—a classroom of high school teens not only enjoying but actually laughing through required reading! Surely, no higher compliment exists for an author.

I'm glad the HBC chose an abridged remembrance of Kurt Vonnegut. Seeing as we are preaching to the choir about him, we'd much rather turn your attention towards other ideas, such as interstitial fiction or Cormac McCarthy books that don't carry the sticker (or stigma) of the Oprah Book Club. However, to those of you who haven't read Vonnegut before, I hope we are presenting you with a few reasons why you ought to start. Two thousand book geeks on the internet can't be wrong.

Thanks for reading,

Yennie Cheung

(May, 2007)

 

 
     

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