LETTERS FROM THE EDITORS:
The Human Condition

By YENNIE CHEUNG

Hey everyone,

I'm writing this on the day the California Supreme Court announced its decision to uphold Proposition 8, the controversial legislation to amend the state constitution to define marriage as being exclusively between one male and one female. Many of us here at the HBC are saddened by this decision, not just because of the injustice and fear-mongering it perpetuates but because the decision directly effects some of our own. Kyle was tempted to use this space to write what he called "a long-winded diatribe about James Madison's 'tyranny of the majority,' " and I was very willing to agree, but we decided that, as literature site, this was not the best use of our space.

It seems strangely appropriate, then, that this issue of the HBC includes an article by Matt Merendo explaining why gay and lesbian literature still needs its own section in bookstores the way mystery and African American fiction do. As the Prop 8 verdict reminds us, we as a society are not as far along as we'd like to believe in the move towards social equality. For those gay and lesbian readers who need to find solace in knowing they are not alone—or those who need to be reminded of how far LGBT rights have come over the years—a prominent section devoted to the issues is a great comfort and perhaps a means for encouragement to continue the fight for equal rights.

For me, Matt's article is less a means of comfort and more a reminder of why I read: I read because I want to understand myself and others. I read because I am fascinated by the human condition, and effective writing of all genres explores what we as human beings are capable of doing, what we're capable of being. Every time I pick up a book, I learn through someone else's perspective what it's like to be human. As a straight American born Chinese woman, I don't know what it was like to be gay or a black man straddling two different continents, but I can get an idea from reading James Baldwin's novel Giovanni's Room or his short story "This Morning, This Evening, so Soon."

This idea isn't exclusively reserved for highbrow literature, either. As Kyle points out in his review of Clive Barker's Books of Blood, Barker sets himself from other writers of his genre because he writes with what Kyle calls an "anthropological eye": a way of rooting his story in the humanness of the situation—in the part in all of us finds relatable.

I think that what compels many of us at the HBC to write—and specifically to write personal essays on this website—comes from that same desire to contemplate the human condition, especially when it is our own. We think, we dwell, we obsess, and we study the events that we see and experience. Somewhere in that mix, we write all of those thoughts down. Whether the writing is fiction or nonfiction matters only a little; the point is that we're thinking about the world and we've found that we can't let those thoughts go undocumented, unprocessed, or only partially understood. It is as memoirist Patricia Hampl said: "I don't write about what I know, but in order to find out what I know."

With that in mind, I hope you all check out one of my favorite HBC personal essays: this month's Influence of Anxiety column, in which Dorothy Parka steps aside so that Marie Mundaca can discuss her unique connection to the work of David Foster Wallace. As the one-time associate production manager for Little, Brown and Company, Marie did more than read Wallace's books: she chose the fonts and set the text, making them tangible for the rest of us. I like to think that if Wallace was the god of his stories, Marie was his bolt of lightning—the chisel that etched his Ten Commandments.

These past nine months or so, fans and friends have been lamenting Wallace's death almost to the point of ridiculousness, so Marie wasn't even sure she wanted to contribute to our suffering by writing yet another article about him. But I have to tell you folks, reading about those little connections she had with Wallace through their shared work on his book kills me. What she describes in her essay is not so much about losing her favorite author as it is about losing a small part of her life when a significant person in it passed on. Who among us can't relate to that? Who among us haven't read of this in a variety of different forms: in verse (Mary Jo Bang's Elegy), in fiction (Amy Hempel's "In the Cemetery Where Al Jolson Is Buried"), in memoir (well, just about everybody). Yet we never grow tired of reading it because it's as real and ubiquitous as oxygen but as dirty and complex as air.

I well realize that the pursuit of civil rights for gay and lesbians is not as universal as the untimely death of a friend, but I doubt they are as disparate as one might think. For those of you in need of consolation, I hope you all find what you're looking for when you pick up your next book—or even better, while you scroll through this site. For those of you who do not feel the disappointment that I, Kyle, and most of us at the HBC feel about the ruling on Proposition 8, I hope you'll be open enough to read a few books that may help you empathize and understand our side.

Here's to better understanding one another.

Yennie

(June, 2009)

 

 
     

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