THE INFLUENCE OF ANXIETY:
The Flowers of Romence

By DOROTHY PARKA

A long time ago, I had some friends who were really into Poppy Z. Brite, and they absolutely could not understand why I wasn't a huge fan. She wrote about strippers who danced to Pixies songs (as if!—everyone knows you'll never get tips dancing to "No.13 Baby"), cute boys who kissed each other, and supernatural crap. I liked the Pixies and bisexual boys. I wasn't particularly interested in the supernatural, but I looked like I would be interested in the supernatural.

So one of my friends lent me her copy of Drawing Blood, and well, I laughed and I cried. I laughed mostly at the depictions of guy-on-guy hook-ups. It was so polite! I think I recall a line that went something like "Can I unzip your pants?" Were guys really that formal with each other? It seemed unnatural. I cried tiny drama-queen tears over the time I lost reading Drawing Blood when I could have been watching The X-Files or TV Nation. Also, I was intrigued—I was 95% sure that Trevor, the book's protagonist, was based on an old boyfriend of mine whose name, occupation, and back story were very similar to that of Trevor's. (Did Poppy know my ex? Did they meet at amateur night at some Atlanta strip club? I never did get to the bottom of that mystery.)

But Drawing Blood left me hungry for saucier man-on-man literary action. Back in those days (the '90s), the spicier gay lit was relegated to the adult video stores or the gay bookstore for those who were lucky enough to have one in their town. But a lot of what those stores carried was porn, which I didn't find very interesting. Like most of you, I read all the porn I needed to read in junior high.

It was ten years later when I finally found what I was looking for—gay romance! Gay romance existed, but not too many of us straight girls knew about it. Gay romance isn't porn—which focuses on the sex act—nor is it regular fiction. In the genre world, romance books are defined as books that made a relationship the primary focus of the book, and the couple must have a happy ending, so to speak. Gay romance novels got a lot of publicity in 2005 when a new line of books, called Romentics, were set to be published by Warner Books (now Grand Central).

Romentics was the creation of Scott Pomfret and Scott Whittier, who go by the adorable sobriquet of Scott & Scott. Like Harlequin romances, these books were to be short, sweet, and frequent. Warner's first—and sadly last—foray into this brave new territory was the reissue of Hot Sauce, a book that the Scotts had originally self-published. Hot Sauce, and the Scotts, got written up all over town, from Publishers Weekly to The New York Times, which ran a lengthy profile of the boys that included loving descriptions of food, clothing, and furniture, much like the book.
The frothy original Hot Sauce cover (top) and the cover published by Warner Books (bottom).

Gay romances have a brief, happy history. Some trace the origins of the gay/lesbian romance to Patricia Highsmith's 1952 novel, The Price of Salt, a lesbian romance with an upbeat conclusion. The Price of Salt was a departure from the more scandalous pulp lesbian novels of the time like Beebo Brinker and Odd Girl Out, where the girls struggled with their illicit love affairs. But the gay and lesbian romance genre stayed underground for a long time. Sure, you could find serious gay and lesbian literary fiction, memoirs, and titillating stories of hot hetero guys on the down low—I'm looking at you, E. Lynn Harris—at Barnes and Noble or Borders, but romance was still a dirty little secret.

That was, until the Scotts came along. Scott & Scott were successful (one an advertising copywriter, one an attorney), young, and in love. They had a dream, along with the drive to see it through. And they knew how to publicize themselves. Their first venture was self-published and sold a respectable 2,500 copies—that's a lot for a self-published book. When Warner Books published Hot Sauce, it sold five times that. No doubt the TV show Will & Grace had lot to do with making gay men acceptable to mainstream America, but still, someone had to come up with the idea of Harlequin-style romance books for gays, and there was Scott & Scott. One of the Scott's mothers was even an actual Harlequin subscriber, receiving four thin, lurid novels each month.

I will admit to having read Hot Sauce, although I was saddened by Warner's decision to change the cover from the one I originally saw in Publisher's Weekly—a photo of a headless buff torso holding a froth-covered hand mixer, the bowl creatively hiding his goods—to the chick-lit style illustration it has now. Hot Sauce focuses on Brad and Troy, two good looking and successful young men in love. Troy is a fashion designer and Brad is chef, and to make things even more perfect, they're about to open a club together. Of course, there is some tension. Troy's old boyfriend comes back to town and tries to break up Brad and Troy. But mostly there are descriptions: clothes, apartments, and parties are all affectionately detailed. There's a whole paragraph about one of Troy's shirts.

I'll admit a bit of prejudice here—I would have never read Hot Sauce book if it were about breeders. It was the novelty that drew me to it. It's a sweet book, more dick-lit1 than Harlequin romance, with likeable characters and almost realistic settings (you don't want to be too realistic in this genre).

I'm not sure what happened between Warner/Grand Central and the Scotts, but the Romentics books are now published via BookSurge, the self-publishing wing of Amazon. Scott & Scott are still pounding these out, and one of their more recent tomes, Surf 'N' Turf, was nominated for a Lambda Literary award, despite the fact that the Amazon reviews from long-time Romentics fans call this book unrealistic and silly. One positive outcome of the break from Grand Central is the Romentics covers are now more salacious, and more reminiscent of 1970s and 1980s romance novels.

Gay romances, though, are as goofy as straight romances, and my idea of fun tends to run towards talking dogs and unresolved endings, not cute guys in matching underwear. But I'll take the Scotts' idea of fun over Poppy Z. Brite's any day. At least the guys in the Romentics books aren't unnaturally polite.

(October, 2007)

 


 
     

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